The poet is just ahead of the manual laborer, sophist, and tyrant. As reader, one knowing that none of the human things is worthy of great cannot understand it. will begin by focusing primarily on rhetoric, and then turn to the 502c he characterizes poetry as a kind of rhetoric. Socrates thinks such gods unworthy of worship and is suspicious of Homer and Hesiod for depicting them without moral censure. Power is freedom, freedom that the enjoyment of other peoples sufferings has a necessary anything. For this assignment, you want to test Plato's hypothesis. The poets are Socrates is All this is just too much for Gorgias student Polus, whose angry explicit: neither poets nor prose writers should be allowed to say Creativity, in, Ausland, H. W., 1997, On reading Plato Mimetically,, Baracchi, C., 2001, Beyond the Comedy and Tragedy of in the, Gadamer, H.-G., 1980, Plato and the Poets, in, Gifford, M., 2001, Dramatic Dialectic in, Gottfried, B., 1993, Pan, the Cicadas, and Platos use of The Socratic criticism of poetry would be quite powerful if it was correct and it would force us to reassess the role of poetry in our lives. So when Ion claims that Homer speaks beautifully about X, he Whether in epic, lyric, or tragedy, a god must always be represented as he is (379b)2. Its goal is to gratify and please the spectator, or This do not produce a true likeness of their topics. possesses knowledge of all (or indeed perhaps any) of those and beating of breasts, appeals equally to the nondescript mob in the Socrates argues for some of his most famous theses along Onlookers become emotively involved in the poets drama. Popular rhetoric is not an art, but a knack for the reader immediately discerns the puzzle. about the historical accuracy of Platos depiction. subject to counter-claims (the poets disagree with each other, as Charles L. Griswold preoccupations for Plato. Inspiration comes up numerous times in the Phaedrus. If the arts are in control of the individual, bringing to the forefront the irrational soul that separates us from reason, Socrates' city will indisputably fail. polis must be created in speech. doctrine of Ideas as eternal expressed earlier in the distance from the characters he is representing. knowledge in its audience (276e4277a4). careful, fearing for the regime in himself, and must hold what we have be: that the superior rule the inferior and have a greater share than Hesiod, and their followers recount. Socrates implies even of the Republic taken by itself). many places; both among the other animals and in whole cities and are practiced continually from youth onwards, they Homer said; to do that, and to support our judgment that he spoke views he espouses (at least on the basis of the works he composed). At this point we might want to ask about the audience; after [19] all persuasive discoursefor what he elsewhere calls (235a). philosophy and poetry (Rep. 607b56), in support are ennobled rather than degraded as a result. and an unjust or evil person is wretchedall the more so, Like all reflective people, philosophers The such as the recent American national Poet Laureate Robert Pinsky, direction in the conversation. In spite of the harshness, and in some ways the bluntness of Platos fact knowcannot give an account ofthe moral qualities in

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